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Today, the artists live a better life than in history. A lot of artist are recognized and get famous when they are very young. That earns them a better life. But there are still a lot of great artists who are not well know for their great art works.

Every culture have their representative art works. For example, the statue of liberty is a symbol of freedom and it's a great art work of French people.

Suffice to say that headhunting was a robust tradition here. In 2001, on the centenary of Rev. Chalmers' demise, the BBC aired a documentary in which Charlotte Sainsbury, a direct descendant of Rev. Chalmers visited Goaribari.

Boas was on to something, and Millerís ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act.

A final comment or two on head hunting? for the majority of us who will read this discussion, I think it is safe to say that if this phenomenon is of interest at all, then at most we may possibly gain an intellectual understanding of why various societies might indulge in headhunting, but our own deeply ingrained cultural praxis will prevent us from ever looking at headhunting the way someone who is an autochthonous member of a headhunting society might.

It is rather just to point out what I see as the striking malleability and cultural specificity of moral boundaries and how in cases like the one just mentioned, a few moments can totally change the acceptability of certain actions. While listening to military briefings in the news, often it is explicitly stated that an objective of some operations will be to "capture or kill" the enemy.

Art have a great influence to the world. Every university will have an art college. Lots of family have art works decorate their homes. Even in office and public place, art work is a requisite.

How sexual choice shaped the development of human nature. He addresses the matter of art and its role in human development, so I imagine it would be of interest to many forms.

I had several friends in various effected areas and they are all safely accounted for to my relief. But, sadly so many and so much has been lost, and while everyone I know directly has turned up safe, there are family and friends of friends who are missing, and at this point Iím afraid that hope of good news at this late date is fading.

Yes Steve P, Iíd agree with your final comments on animal behavior. It is a point well taken and indeed my choice of terminology was imprecise.

Much to the chagrin of some modern evangelical types, she offered these words to the descendants of those who executed the missionaries, ďI think my ancestor was wrong to come in and try to change you.

Does a great artist have to graduate from art school? The answer is no. There might be some great artist indeed studied an art school. But it does not mean that people have to study in an art school to become great artists. There  are a lot of great painters and calligraphers in Chinese history. But almost none of them ever studied in an art school.

In some places headhunting definitively faded out long ago, in other parts of the world it was a practice that lingered as common place until the mid-20th century at least. I think it is fascinating how utterly repugnant such practices are to some societies, while conversely in others, they were not only condoned and encouraged but viewed as an absolutely essential component of community well being.


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Last modified: Tuesday October 18, 2005.