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I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

Art have a great influence to the world. Every university will have an art college. Lots of family have art works decorate their homes. Even in office and public place, art work is a requisite.

The argument is that such individuals are more desirable to the opposite sex and hence are more likely to pass their skills and aesthetic tendencies on to progeny? Reinforcing the creative/artistic tendencies of the species in the following generations.

Of course there are critics of these ideas, as there always are with anything of this sort, especially when ideas like Miller manage to exceed the boundaries of the specialized scientific community and generate interest among aymen but critiques aside, Miller perspective makes a lot of sense to me in general.

Every culture have their representative art works. For example, the statue of liberty is a symbol of freedom and it's a great art work of French people.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event.
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Artists made great contribution to the world. But what they got is usually much less than what whey gave. Many great artists lived a suffering lives. After they are dead, their art works become invaluable.

Taking heads isn't my cup of tea, but I have less difficulty understanding the cultural bases of doing so than I do of the apparent inhumanity of, say, the Yanamano or (closer to home) of the Nazi movement of the middle third of the 20th century in what might arguably have been the most culturally advanced society in Europe at the end of the 19th century.

One point: mortal combat among animals of the same species is not common. The more usual pattern is stylized or ritualized combat over resources (usually territory), in which one member concedes without being killed or injured.


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Last modified: Tuesday October 18, 2005.