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The sort of most dramatic of the other plausible scenarios is that he became the victim of Asmat headhunters and all that implies. If that was how it happened, the bitter irony naturally is that the young Rockefeller was passionate about the area and had a great interest and respect for a smart people and culture.

In any case, as you say, tales of headhunting and cannibalism can be quite jarring. The really astonishing part of it in my opinion however, is just how relatively common such practices were around the planet.

The argument is that such individuals are more desirable to the opposite sex and hence are more likely to pass their skills and aesthetic tendencies on to progeny? Reinforcing the creative/artistic tendencies of the species in the following generations.

Of course there are critics of these ideas, as there always are with anything of this sort, especially when ideas like Miller manage to exceed the boundaries of the specialized scientific community and generate interest among aymen but critiques aside, Miller perspective makes a lot of sense to me in general.

There's a wonderful book on the subject, called On Aggression. The author's name has momentarily left the page that my brain is scanning - one of the interesting phenomena that occurs with age. I'm completely confident that I will recall it in a little while, so the memory trace isn't gone, it's just temporarily inaccessible.

Art can not be learned. Actually, art techniques can be learned. Art talent can not. People can only learn techniques and knowledge in art school. They can not learn art talent there. Without talent, one can not become a great artist.

Artists made great contribution to the world. But what they got is usually much less than what whey gave. Many great artists lived a suffering lives. After they are dead, their art works become invaluable.

Technologically developed areas", the socio-cultural outlook does seem to allow much of the populace to dissociate causing deaths in a war context from urder? This relativity of perception is noteworthy.

It was then that the famous missionary Rev. James Chalmers and a party of 12 lost their heads and were eaten by Goaribari headhunters. Another missionary reported witnessing over 10,000 skulls in the long houses of Goaribari.

My aim in making the comment was actually just to provide an example that could give voice to other potential points of view, which is to say that of those who are more inclined to cite actor more instinctual urges, which might be construed as the impetus for headhunting activity in some cultures, and how I could see why people might reasonably draw that conclusion as well.

One of the editorial reviews has this summary: orenz presents his findings on the mechanism of aggression and how animals control destructive drives in the interest of the species.? From what I can glean from other review comments there, this control of the destructive drive in animals is contrasted with the apparent lack of same among humans.

While we are on the subject of good books, and the matter of behaviour and culture and how these things evolved, I was reminded of another very thought provoking and enjoyable book by Geoffery Miller, titled The Mating Mind?

Much to the chagrin of some modern evangelical types, she offered these words to the descendants of those who executed the missionaries, “I think my ancestor was wrong to come in and try to change you.

Of the victim's life that cause us to react or not to their death. Whether it was the American, Michael Rockefeller, or the Solomon Islander named Tombat, the British Missionary Chalmer, or Limbang the Dayak ?reaction on an emotional level has more to do with what we know about that person than their nationality, race or religion per se.

Miller draws upon Darwin’s theories on sexual selection (which have generally been overshadowed by his more universally recognized thoughts on natural selection), and comes up with an engaging and very readable exploration of behavioral psychology and among other things, the evolutionary implications of the artistic impulse from the Pleistocene onward.

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Last modified: Tuesday October 18, 2005.