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Numerous art galleries was set up, especially on the internet, where the cost is low. Those galleries serves as a great source of pictures and information for art works. With those galleries, the art works will have a greater impact on the human world.

If there

Artists made great contribution to the world. But what they got is usually much less than what whey gave. Many great artists lived a suffering lives. After they are dead, their art works become invaluable.

In some places headhunting definitively faded out long ago, in other parts of the world it was a practice that lingered as common place until the mid-20th century at least. I think it is fascinating how utterly repugnant such practices are to some societies, while conversely in others, they were not only condoned and encouraged but viewed as an absolutely essential component of community well being.

Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event.
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Art can not be learned. Actually, art techniques can be learned. Art talent can not. People can only learn techniques and knowledge in art school. They can not learn art talent there. Without talent, one can not become a great artist.

The sort of most dramatic of the other plausible scenarios is that he became the victim of Asmat headhunters and all that implies. If that was how it happened, the bitter irony naturally is that the young Rockefeller was passionate about the area and had a great interest and respect for a smart people and culture.

In any case, as you say, tales of headhunting and cannibalism can be quite jarring. The really astonishing part of it in my opinion however, is just how relatively common such practices were around the planet.

The Rockefeller episode is different of course. Most significantly, this is something of an unsolved mystery. Michael Rockefeller disappeared, and there has never been definitive proof of what happened. A lot of theories have been put forward, some of which seem more plausible than others.

Boas was on to something, and Miller’s ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act.

A final comment or two on head hunting? for the majority of us who will read this discussion, I think it is safe to say that if this phenomenon is of interest at all, then at most we may possibly gain an intellectual understanding of why various societies might indulge in headhunting, but our own deeply ingrained cultural praxis will prevent us from ever looking at headhunting the way someone who is an autochthonous member of a headhunting society might.

While the Chalmer incident left a powerful impression on the mind of missionaries, the Rockefeller incident is the one that tends to linger most in the thoughts of those of us who are interested in the art and culture of this area. This latter event happened in the Asmat region, which is West through the Torres Straight and up along the coast of West Papua (Indonesian side) in relation to Goaribari Island where the Gope board that started this thread originated.

That particular event is extremely well documented, and despite happening over 100 years ago, seems to be an occurrence that left quite an impression - and one that remains on the minds of missionaries and their ilk to some extent if the frequency of references to the incident are any indication.

However, what is probably the most well known incident of this sort in the greater Papuan region, was not directly related to missionary activities. I am referring of course to the disappearance in November, 1961 of Michael Rockefeller while on a collecting expedition for the Museum of Primitive Art (when the museum was closed in 1976 the bulk of the collection went to the Metropolitan Museum of Art).

How sexual choice shaped the development of human nature. He addresses the matter of art and its role in human development, so I imagine it would be of interest to many forms.

In other words creativity and virtuosity whether it be story telling , song , drawing on cliff walls, carving and shaping wood, stone or bone, personal adornment, basket making or any such skill that affords aesthetic pleasure and reveals what could be deemed artistic prowess is in short, a urn on?

Although there are a lot of great artists graduated from art schools. There are also a lot of great artists never go to any art schools.


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Last modified: Tuesday October 18, 2005.