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Yet it struck me that headhunting quite often, though not always, occurs in the context of inter-tribal or inter-village warfare. So, would placing headhunting in the context of war mitigate the abhorrence some of us might feel toward the institution of headhunting? Interestingly, it strikes me that for natives of, as Steve P. aptly designated it ?

Today, the artists live a better life than in history. A lot of artist are recognized and get famous when they are very young. That earns them a better life. But there are still a lot of great artists who are not well know for their great art works.

I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

In some places headhunting definitively faded out long ago, in other parts of the world it was a practice that lingered as common place until the mid-20th century at least. I think it is fascinating how utterly repugnant such practices are to some societies, while conversely in others, they were not only condoned and encouraged but viewed as an absolutely essential component of community well being.

The lawful or unlawful context is socially determined and the implication is that while murder is always killing, killing is not always murder. This is in no way a revelation, but it seems few ever pause to consider it all.

Regarding other recent comments in this thread, my own interpretation of some of Udo remarks was that he may have meant to draw attention to this sort of cultural/moral disparity across cultures.

For example, in the heat of battle soldiers are supposed to kill their opponents. As one recent incident in Faluja, Iraq illustrated however, after an opponent was injured? A soldier who then caused the death of that opponent was deemed a murderer. My intention is not to make any moral judgment here?

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Last modified: Tuesday October 18, 2005.