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In other words creativity and virtuosity whether it be story telling , song , drawing on cliff walls, carving and shaping wood, stone or bone, personal adornment, basket making or any such skill that affords aesthetic pleasure and reveals what could be deemed artistic prowess is in short, a urn on?

Miller draws upon Darwin’s theories on sexual selection (which have generally been overshadowed by his more universally recognized thoughts on natural selection), and comes up with an engaging and very readable exploration of behavioral psychology and among other things, the evolutionary implications of the artistic impulse from the Pleistocene onward.

The argument is that such individuals are more desirable to the opposite sex and hence are more likely to pass their skills and aesthetic tendencies on to progeny? Reinforcing the creative/artistic tendencies of the species in the following generations.

Of course there are critics of these ideas, as there always are with anything of this sort, especially when ideas like Miller manage to exceed the boundaries of the specialized scientific community and generate interest among aymen but critiques aside, Miller perspective makes a lot of sense to me in general.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

Although there are a lot of great artists graduated from art schools. There are also a lot of great artists never go to any art schools.

When considering headhunting in isolation and without any context, and given our own backgrounds, most of us would be hard pressed to ever genuinely and completely dissociate the practice of headhunting from urder?in some sense.

So I am very sorry for that, but I will go away with very very happy memories of Papua, New Guinea." Conversely, I should also note that in this same documentary the local headman expresses great reverence and esteem for the Rev. Chalmers and went so far as to say, because of his coming we are civilized."

In any case, one can see that Goaribari is a place with a colorful history, no matter what one interpretation of some of those events might be.

As for the Gope boards, they are displayed in the long houses and are the representation of ancestral spirits. They may be understood to represent what are essentially tutelary entities whose power and wisdom guide successive generations.

I'm afraid the off the cuff choice of using the adjective ortalto qualify combat may have created an unfortunate distraction that has diverted the essential intent of the comment.

In any case, this has lead to other interesting tangential topics and sources. I see that the book you suggest, On Aggression, is by Konrad Lorenz. I looked it up on Amazon and it seems like a very worthwhile and thought provoking read.

I had several friends in various effected areas and they are all safely accounted for to my relief. But, sadly so many and so much has been lost, and while everyone I know directly has turned up safe, there are family and friends of friends who are missing, and at this point I’m afraid that hope of good news at this late date is fading.

Yes Steve P, I’d agree with your final comments on animal behavior. It is a point well taken and indeed my choice of terminology was imprecise.

The cultural context is fascinating as well, and some of you will be aware that the Goaribari Islanders were notorious warriors. It is reported that Authorities were still confiscating skull trophies in the late 1950. Other infamous incidents have become very well known indeed. For instance the events of April, 1901 are legendary.

That particular event is extremely well documented, and despite happening over 100 years ago, seems to be an occurrence that left quite an impression - and one that remains on the minds of missionaries and their ilk to some extent if the frequency of references to the incident are any indication.

However, what is probably the most well known incident of this sort in the greater Papuan region, was not directly related to missionary activities. I am referring of course to the disappearance in November, 1961 of Michael Rockefeller while on a collecting expedition for the Museum of Primitive Art (when the museum was closed in 1976 the bulk of the collection went to the Metropolitan Museum of Art).

Today, the artists live a better life than in history. A lot of artist are recognized and get famous when they are very young. That earns them a better life. But there are still a lot of great artists who are not well know for their great art works.

Though Boas?stated goal was to determine the dynamic conditions under which art styles grow up? and was not necessarily an attempt to nail down the evolutionary, psychological and behavioral impetus for artistic endeavor itself, none the less the cross discipline implications seem relevant.


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