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Art |
Fine art reproductionIf there's no fine art reproduction in the world, there will be no human. fine art reproduction give people beauty. Beauty can adjust people's mood. A good mood will improve people's work. The word becomes more beautiful because of fine art reproduction. Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.
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-- Chinese calligraphy lessons for beginners. Free! This gradually resulted in the Homo sapien brain developing with these unique capacities that would foster creativity and the resultant sexual allure was on par, in terms of developmental importance, with those processes that are emblematic of natural selection responses to environmental factors such as geography, climate, predators, etc. It was then that the famous missionary Rev. James Chalmers and a party of 12 lost their heads and were eaten by Goaribari headhunters. Another missionary reported witnessing over 10,000 skulls in the long houses of Goaribari. Boas was on to something, and Miller’s ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act. It is rather just to point out what I see as the striking malleability and cultural specificity of moral boundaries and how in cases like the one just mentioned, a few moments can totally change the acceptability of certain actions. While listening to military briefings in the news, often it is explicitly stated that an objective of some operations will be to "capture or kill" the enemy. When considering headhunting in isolation and without any context, and given our own backgrounds, most of us would be hard pressed to ever genuinely and completely dissociate the practice of headhunting from urder?in some sense. As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question. Of the victim's life that cause us to react or not to their death. Whether it was the American, Michael Rockefeller, or the Solomon Islander named Tombat, the British Missionary Chalmer, or Limbang the Dayak ?reaction on an emotional level has more to do with what we know about that person than their nationality, race or religion per se. Some people feel he may have drowned or been attacked by sharks or crocodiles while trying to swim to shore from their capsized canoe. With regard to that scenario, some people say the threat of aquatic predators is possible but not really that likely. To many of us, it doesn't matter a bit whether the victim is "us" (by this, I guess you mean people from the more technologically developed part of the world) or not. Killing others is disturbing and difficult to accept, even when it is for cultural reasons. The sort of most dramatic of the other plausible scenarios is that he became the victim of Asmat headhunters and all that implies. If that was how it happened, the bitter irony naturally is that the young Rockefeller was passionate about the area and had a great interest and respect for a smart people and culture. It's actually difficult to tell what is art. No one can deny that some sports are also art. Or people will argue some plays are art works of sports. |
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