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Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event.
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It is rather just to point out what I see as the striking malleability and cultural specificity of moral boundaries and how in cases like the one just mentioned, a few moments can totally change the acceptability of certain actions. While listening to military briefings in the news, often it is explicitly stated that an objective of some operations will be to "capture or kill" the enemy.

The sort of most dramatic of the other plausible scenarios is that he became the victim of Asmat headhunters and all that implies. If that was how it happened, the bitter irony naturally is that the young Rockefeller was passionate about the area and had a great interest and respect for a smart people and culture.

In any case, as you say, tales of headhunting and cannibalism can be quite jarring. The really astonishing part of it in my opinion however, is just how relatively common such practices were around the planet.

Art have a great influence to the world. Every university will have an art college. Lots of family have art works decorate their homes. Even in office and public place, art work is a requisite.

Technologically developed areas", the socio-cultural outlook does seem to allow much of the populace to dissociate causing deaths in a war context from urder? This relativity of perception is noteworthy.

The possibility of drowning is also viewed as unlikely in the minds of many people, first because apparently Rockefeller was acknowledged as a very strong swimmer, and secondly because two local guides that had been on the boat when it capsized did successfully swim to shore, and many feel Rockefeller was certainly capable of doing the same.

I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

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