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Anyway, the general theme of the book is that breeding without adequate resources leads to starvation, so females inherently select males that control adequate territory with which to support the offspring. He documents a large number of examples of territorial competition among males, with death of one of the competitors being extremely rare.

Although there are a lot of great artists graduated from art schools. There are also a lot of great artists never go to any art schools.

Taking heads isn't my cup of tea, but I have less difficulty understanding the cultural bases of doing so than I do of the apparent inhumanity of, say, the Yanamano or (closer to home) of the Nazi movement of the middle third of the 20th century in what might arguably have been the most culturally advanced society in Europe at the end of the 19th century.

One point: mortal combat among animals of the same species is not common. The more usual pattern is stylized or ritualized combat over resources (usually territory), in which one member concedes without being killed or injured.

Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event.
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I imagine Steve P. is familiar with this book, but for others?in a nut shell, the general idea is that those individuals who excelled in artistic pursuits and were witty and creative rendered themselves more desirable in the eyes of prospective mates.

Human behavior, it seems to me, has obviously innate components. We are certainly hard-wired not to try to fly off buildings, and the fear of stepping off a cliff when we can see that there's no place near to land arises pretty early.

But most cultural activities and ethical consciousness are learned behavior (in my judgment). Children learn to not be cruel, they aren't born empathetic.

Today, the artists live a better life than in history. A lot of artist are recognized and get famous when they are very young. That earns them a better life. But there are still a lot of great artists who are not well know for their great art works.

It was then that the famous missionary Rev. James Chalmers and a party of 12 lost their heads and were eaten by Goaribari headhunters. Another missionary reported witnessing over 10,000 skulls in the long houses of Goaribari.

The Rockefeller episode is different of course. Most significantly, this is something of an unsolved mystery. Michael Rockefeller disappeared, and there has never been definitive proof of what happened. A lot of theories have been put forward, some of which seem more plausible than others.

So I am very sorry for that, but I will go away with very very happy memories of Papua, New Guinea." Conversely, I should also note that in this same documentary the local headman expresses great reverence and esteem for the Rev. Chalmers and went so far as to say, because of his coming we are civilized."

In any case, one can see that Goaribari is a place with a colorful history, no matter what one interpretation of some of those events might be.

As for the Gope boards, they are displayed in the long houses and are the representation of ancestral spirits. They may be understood to represent what are essentially tutelary entities whose power and wisdom guide successive generations.

Chinese calligraphy is an abstract art form. Chinese calligraphy is unique in term of the tools, materials and the spirit inside the art works. Chinese calligraphy is the soul of Chinese culture.

While the Chalmer incident left a powerful impression on the mind of missionaries, the Rockefeller incident is the one that tends to linger most in the thoughts of those of us who are interested in the art and culture of this area. This latter event happened in the Asmat region, which is West through the Torres Straight and up along the coast of West Papua (Indonesian side) in relation to Goaribari Island where the Gope board that started this thread originated.

Does a great artist have to graduate from art school? The answer is no. There might be some great artist indeed studied an art school. But it does not mean that people have to study in an art school to become great artists. There  are a lot of great painters and calligraphers in Chinese history. But almost none of them ever studied in an art school.


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Last modified: Tuesday October 18, 2005.